Tag Archives: writing craft

Differences in Writing Historical vs. Contemporary

Writing in different time periods can be both fun and challenging as an author.  There are some key differences between writing contemporary novels and writing historical novels.

 

Language

How did people speak?  What sayings did they use?  Slang?  Did they use long, complex sentence structures and flowery language?

To understand how people spoke for my historical novels, I spent some time reading firsthand accounts of events of the day.  Reading someone’s diary from the mid-1860’s gives you a good idea of the complex sentence structures used during the time frame.  Once I have a good understanding, I try to incorporate some aspects of the language into the novel.  Since I want to be careful not to alienate modern audiences, I make some style choices, like using contractions even though they didn’t.

With a contemporary novel, it’s easier.  You already know how people talk.  True, you might have to do some research for a specific regional dialect or slang.  But, for the most part, you live and breathe the language nuances every day.

Mindset

What is the prevailing mindset of the timeframe?  Were there different attitudes and thoughts towards different ethnic groups?  Were women seen differently?  Men?

One of the things I did to better understand the mindset from the 1860’s was to pick up books specifically on the attitudes in the West.  I found this great resource that explained a key gender difference on the wagon trains west.  Men marked the journey by miles and women marked it by the number of roadside grave markers.  That’s a very different mindset than what we experience today.

Today’s mindset is probably engrained in your own attitudes and outlook on life.  Even if your views differ from that of your character, you have a good idea of what is generally socially acceptable.  Things, like harassment in the work place or racial slurs, are considered socially unacceptable.  This will likely take little to no research for a more contemporary work.

Technology

What modes of transportation were used?  What would a typical household kitchen contain?  How did people heat their homes or get water to drink?

If you’re writing a contemporary novel, chances are you already have a good idea of the answers to these questions.  In my kitchen, I have a blender, microwave, stove, coffee maker, electric can opener, etc.

For a historical novel, these are all things to research to add depth and flavor to your novel.  One of my favorite kitchen finds of all time was something called a meat juice press (I even have pictures!!).  In the 1800’s, a common way to treat cold symptoms was extract the juice from a piece of meat by pressing it with this device (very different from beef broth).  Many homes had one.  So, in my current WIP, I incorporate this little nugget into the story.

 

Language, mindset, and technology are just a few examples of the differences to research for historical novels that you may already know for a more contemporary work.  I hope this gives you some ideas on how to improve research for historical novels and encourage you to add that same spice to your contemporary works.

Editing For the Self Published Author

Sometimes it feels like editing should be a four letter word.  As authors, we hate it.  Some of us are very bad at it.  But it is a necessary evil—even more so for a self published author.

There are many different ways to get good editing without costing a fortune.  One of the things I do is swap editing with other authors.  I have one author who edits all my books.  In exchange, I edit hers and give her advice on how to self publish.

What about your network of contacts?  Do you have any former English teachers, professors, or editors in your network?  If so, think about approaching them for editing help.

Take some time to brush up on your own editing skills.  Even after I get my work back from my editors, I make changes and read through my manuscript several more times.  I find things they missed or things I messed up when I made an edit they suggested.  By spending a little time brushing up on my grammar, punctuation, etc., I am constantly sharpening my skills.

Of course, you can always hire a professional editor.  There are many out there.  If you do decide to go this route, get a recommendation or see if you can get them to edit a sample for you.  Make sure you get your money’s worth.

Lastly, when a reader inevitably finds something in your final published work, don’t stress about it.  Just take some time to fix it and re-upload it.  No matter how many times a book passes through editing, there are always little things that get missed.  Give yourself permission to be slightly less than perfect.  After all, you’re only human.

 

Self-published author, Karen Baney, enjoys sharing information to help authors learn about the Business of Writing.  She holds a Masters of Business Administration from Arizona State University and has worked in various business related career fields for the past 20 years.  She writes Christian Historical Fiction and Contemporary Romance novels.  For more information about Karen’s books, visit her Amazon Page.

Writing Faith In Fiction

As a Christian author, many times we find our story leads to writing some spiritual element, be it prayer, a conversion, bible study, or church attendance.  Nothing turns a reader off more than if the spiritual elements feel preachy or forced.

So how can a writer make these aspects of faith flow naturally in the story?  Here are a few tips that I follow when writing:

Remember to keep the faith element consistent with the character’s point of view (POV). 

In my novel, Nickels, Niki Turner is not a Christian.  When she attends church for the first time, she doesn’t feel comfortable.  She takes in what is going on and wonders why some things about the church service are the way they are.  She misses some of what’s happening because, after the message, she’s frustrated that she doesn’t have the answers she was seeking.  Instead she has more questions than before.

If I were to write the same scene from her roommate’s POV, a Christian since the age of 12, the scene would be very different.  She would be excited that the band played her favorite song—one that lets her really worship God.  The message may have resonated with her differently.  She might have felt God pulling her to deal with a certain area of her heart.  She might leave the service feeling refreshed and thankful.

So, the church experience was different because the characters were different.  Their hearts were in a different place.  Their perspective stayed in line with who they are.

Not every story will have a conversion.

This is hard, especially for newer Christian fiction writers.  We want to share the story of God’s love.  We want readers to grasp the significance of entrusting their lives to Christ and living forgiven and free.

Yet, not every story leads to this place.  Sometimes main characters are already Christians and they may be struggling with their faith.  Perhaps they are dealing with a sin issue or struggling to trust God.  Throwing in a minor character that gets converted, just so we can relay the gospel message usually comes across as forced.  Readers can see right through it.

If you have any doubts about whether or not the story should include a conversion, first seek God’s opinion on the matter.  If you feel like you’re not hearing from Him on this, then seek the counsel of a close friend or fellow Christian writer.

Don’t preach to the reader.

Nothing turns me off more than when I’m reading a book and I feel the author is pushing their views to me the reader.  I’ve been known to stop reading a novel if it feels like the author is talking to the reader instead of the characters talking or working through something on their own.

In some ways, this ties back to my first point.  If you keep everything in the context of the character’s POV, you can usually avoid this feeling.

Here’s an example of what I’m talking about:

Little Susie walks into her mom’s bedroom.  “Mom, why did Jesus die?”

“Well, he died so your sins could be forgiven and that you could go to heaven and be with him… [full lengthy description of the salvation message].”

Susie hugged her mom.  “Thanks mom.  I want to be with Jesus when I die.”

When would this scene make sense?  Perhaps, if the author shows little Susie’s struggle for a chapter or two, wondering about who Jesus is or why her mom always takes her to church, then it might fit.

Where this would not make sense is if this scene came out of the blue.  Susie never had a thought about this before.  She never expressed any curiosity to her mom before now.  Even worse would be if this was the end of the discussion or change in Susie.  Suddenly, Susie becomes the perfect daughter.

The author may have described the salvation message, but if it leaves a bad taste in the reader’s mouth because it came entirely out of context, then is it really having the desired impact?

Keep your heart focused on God and pray over your work.

Remember, God can use anything that an author writes—especially when the author is seeking to do His will.  Maybe God will use your novel to give someone hope after suffering grief.  Maybe he’ll use it to heal a broken heart.  Maybe he’ll use it to bring someone to him.  Or maybe he’ll use it to be a breath of fresh air for a harried soul.

Let Him determine how to use the words he’s given you without forcing a message that doesn’t belong in the story.

 

Self-published author, Karen Baney, enjoys sharing information to help authors learn about the Business of Writing.  She holds a Masters of Business Administration from Arizona State University and has worked in various business related career fields for the past 20 years.  She writes Christian Historical Fiction and Contemporary Romance novels.  For more information about Karen’s books, visit her Amazon Page.

Writing In Multiple Genres

Today, Shawn Lamb joins us to share her tips on writing in multiple genres.  As I get ready to release my first novel in a new genre, I find myself agreeing with her advice.  Welcome Shawn!

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Huguenot SwordBeing an author of multiple genres, I often get asked, “How do you do it?”  Well, to begin with, writing YA fantasy wasn’t my original choice, historical fiction is my genre. Of course, being asked by my daughter to write her a fantasy is what started it all – at least publication wise.  I used to write for a T.V. animated series called BraveStarr, which was done by the same studio that produced He-Man and She-Ra. So in that respect, writing for kids wasn’t too difficult, but I had very little clue about fantasy.

Like any writer looking to switch, I studied the genre, but gravitated toward the classic stories like Tolkien and Lewis since that was what my daughter wanted.  While reading, it struck me how Tolkien made use of history, folklore and mythology. Lewis did also, but not to the extent of Tolkien in creating societies and cultures. That discovery made the transition from historical fiction to fantasy easier than I anticipated. I could incorporate my historical fiction research and background into creating the Kingdom of Allon. As the series progresses, I bring in people from other countries and utilize culture and mythology. I don’t write down to kids in tackling hard subjects, but I can’t write over their heads either, rather I strive to strike a balance a giving them a compelling story and not losing their interest with confusion.

What challenged me was when I returned to historical fiction and a more sophisticated storyline. I became so engrossed in Allon and making certain kids understood the basic plot, themes and obvious illustrations between allegory and real life, I felt rusty at first.  Writing for adults, more subtly can be used and an author doesn’t want to give too much away too soon. Once reacquainted with 17th Century France and my characters, the polish needed to bring The Huguenot Sword to publication re-energized my mind and creativity.

If one choices to write multiple genres, it is essential to understand the elements of each. I would suggest choosing genres that can easily be crossed. Writing for different age groups can stretch an author also, thus it would be best to master one before moving onto another.

 

Shawn LambBeginning her writing career in television, freelancing for Filmation Studio’s series BraveStarr. She won several screenwriting awards including a Certificate of Merit from the American Association of Screenwriters. With the Allon series, she recently became a winner in The Authors Show contest 50 Great Writers You Should Be Reading for 2011. She continues her writing success with The Huguenot Sword, the first in a new line of Christian historical fiction.

Visit her website or blog.

Join Shawn and 9 other Christian authors as they celebrate the release of Karen Baney’s new contemporary romance, Nickels.

Nickels and 9 other books

Tips for Writing Suspense

Messages by John Michael HilemanIt’s my pleasure to introduce my guest for the day, John Michael Hileman.  I first met John on Twitter earlier this year and discovered his book Messages, which has become one of my all-time favorite suspense books.  When I was looking for someone to share tips on writing suspense, I immediately thought of John.  Welcome, John.

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I’ve been asked to tell you how to write good suspense. So I will. But not yet. I’ll wait till later in the article to tell you, because if I tell you now, you’ll have no reason to continue. Great. I think I just accidentally told you what suspense is. Oh well, moving on.

Suspense is nothing without mystery. Mystery and suspense are two powerful forces pulling against each other throughout each and every story you’ll write. Mystery compels the reader to move forward, while suspense pulls back on the reigns, as if to say, “not yet, but soon.” Without good suspense, the mystery will fall flat on its face. Suspense sweetens the mystery, but you must always be sure not to sweeten it too much, or it will become sickly. There is a perfect mixture in every story, and it is up to you to strike the right balance.

A mystery isn’t simply a who-done-it. Mystery comes in a variety of forms. It could be something as rudimentary as,will Gary end up with Cindy?, or as complex as how on Earth did this monkey get inside a sealed bank vault, and why is it wearing a wet suit and a tiara? A writer’s job is to establish the mystery, and slowly reveal clues to its resolution as the story unfolds. The longer you hold the tension, the more suspenseful your story will be. If the scene with the monkey played out, and one of the characters quickly explained how the monkey got in the vault and why he was wearing the odd costume, there would be no suspense at all. That would be the end of the story. But revealing a cryptic note scratched on the inside of the tiara, gives the reader a reason to continue on. Continuing this process for several chapters will make the resolution much more exciting and rewarding for the reader. This is what we call macro-suspense. It happens across the entire story, from plot point to plot point, right up to the resolution.

Micro-suspense happens within a scene. Like macro-suspense, the mystery is presented, and the reader must wait for the resolution, but there is a small twist. With micro-suspense, the writer uses the thoughts and emotions of the main character to build tension, as he applies suspense to lengthen out the mystery. Imagine this scenario: the main character hears a noise coming from downstairs in the kitchen, and he goes to investigate. As each moment passes, the intensity of his fears and paranoia leak into the mind of the reader. His fear of the dark mixed with rumors that this new house he has moved into may be haunted, draws the reader into the gravity of the moment. The suspense holds the reader back from the resolution, while tension breaths energy into the scene. Good suspense requires a good mystery and a precise amount of tension. Never give the reader everything up front. Don’t tell them what is in the wrapped gift as you hand it to them. You’ll ruin the surprise!

Imagine your story like a poker game. The mystery is: who will win? The suspense is: how long the card game must last before the winner reveals his hand. The more twists and turns, and the more drama that erupts, the more exciting the reveal will be. Don’t let the audience have what they want right away. Dangle it in front of them. Let them feel as though the game is going poorly for our hero, then turn the tables, and give the audience a thrill. Let the tension of each moment build in suspense, until all your reader can think about is seeing those cards fanned out on the table. That is how you write good suspense. And remember, your resolution is your gift to the reader, make it something they would have never expected, and something they will treasure forever.

 

JohnHilemanJohn Michael Hileman is the head of television production for the largest church in central Maine. When he’s not writing the weekly sunday school skits, leading worship, filming and producing our weekly television program, he is writing.

He writes contemporary pop fantasy with a spiritual twist. If you like adrenaline packed supernatural mysteries from a Christian world-view, check out his latest book, Messages.

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Join John and 8 other Christian authors as they celebrate the launch of best selling author, Karen Baney’s latest novel, Nickels.

 

A Guy’s Perspective on Writing Romance

MichealRiversParanormal romance author Micheal Rivers joins me today for a look at a guy’s perspective on writing romance.  His secret is simple, but is speaks to the heart of women readers and rings true for even the most macho of men.

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When Karen asked me to write this I wasn’t sure in the beginning how I was going to approach the subject. Then I remembered write what you know. The subject of romance has been known to make the strongest of men cringe in fear. There are so many people out there both men and women that don’t have any idea what true romance is about.

I am not saying I am an expert nor am I saying my version is correct. I do know my versions work and that is all that counts for me. Romance can be a fleeting thing at the best of times. You can become complacent in your lives and forget what brought you to this point in your life to begin with.

Trust me–it was not the Super Bowl and the Chili dip. It was possibly your gentle smile toward her in the beginning, or the warm soft touch of her skin. For the record, there was a spark between the both of you that was not to be denied.

I am far from being gentile and my look at sports is the adventure that will take your life in a split second, doing it, not sitting as a spectator. The treatment of my lady is another matter entirely. Without going into actual script as for a book this is an example of what my idea of romancing the love of your life should be when I write it. This is the basis.

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Micheal and Rhea

Everything should revolve around her. Without question I treat her as if the entire world revolves around her. There is no other woman walking the face of the Earth in my eyes. An invitation to dinner is first on the list. Before she ever gets close to the time for getting ready for the dinner date someone will deliver a nice bouquet of flowers to her. They must be picture perfect in all respects with a card letting her know how special she is. Be careful with your wording gentlemen or your dinner date will be all the evening will offer. The words have to come from your heart. The ring of these words will tell her if your heart is true.

Dressed appropriately you will pick her up at her door and take her to dinner. Equality is fine but a gentleman escorts her to the car and holds the door for her. A simple taste of the old world is still enchanting for both of you.

The dinner is a special occasion. It is your desire it will never be forgotten. You have pulled some strings and have arranged for private dining at a casino. During the dinner she is treated like royalty from the staff. (Personal service from the restaurant manager). You will talk of pleasant things and let her know how special she is. It helps when you make certain they serve her the things she loves best; such as Filet Mignon and Lobster. Dessert was made in heaven and delivered by Satan. In short it is sinfully good.

In this case she likes to gamble just a little. This is the time when you have arranged for someone to be always close at hand to make certain she has everything she wants. Let her know the evening is still young and there are more things in store for her.

The valet brings your car to the door and you leave the casino. Heaven is just another avenue for you to let her know where you are going. It is close to midnight with a lover’s moon riding high in the sky when you reach your destination and she discovers you are on a mountain top in the middle of a cloud bank with a million stars above her. It is her moment and she does not have to share the spotlight with anyone.

The heavenly silence here is a dream in itself. Leaving the radio playing softly in the background you help her from the car and take her literally dancing in the clouds. A gentle kiss and hold her tenderly. You let her know in every way she is all that will ever matter to you. Your eyes will tell her what she wants to know. When the curtains close at the end of the evening there are only two people on Earth and the promise of love will blossom.

Depending on the writer this scenario can be difficult to convey to your reader in such a manner it moves their heart. My advice is to write from the heart and your words will follow. This is the key to understanding and placing your actions in perspective. The goal is to win the heart of the woman in your words. I hope this simple verse helps you.

When you walk by the shores of a rolling sea;

Will you dream the dreams of loving me?

~Published by Micheal Rivers~

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The Black Witch (Curse of the Witch)

It was the adventure of a life time. In an obscure marina off the shores of Maryland a schooner unlike any other ever built was discovered. Dorian and Diana Coe purchased the schooner and sailed from the shores of tranquility into the bowels of hell itself.
Prurient tales of suicide, murder, and the disappearance of an entire crew were hand written within the ship’s logs.

On her decks sailed a well seasoned Captain and crew that never knew the schooner’s shadowed past. The new owners ignored the words of men with integrity and sailed the Black Witch in the Spring of 1935.

Into the realms of illusion and pure evil the ship and its compliment sailed never knowing the fate awaiting them!

Visit Micheal Rivers at his website: http://www.michealrivers.com, Facebook, or follow him on Twitter.

Join Micheal and 35 other authors as they celebrate the launch of Melissa Foster’s Come Back To Me.

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